
Viktor Krauss (b. 1969, Champaign, IL) is a Nashville-based bassist and composer whose expansive career spans nearly four decades. Since relocating to Nashville in 1992, he has amassed more than 800 album credits as an instrumentalist, composer, songwriter, and producer. His versatile musicianship has supported an extraordinary range of artists, including Bill Frisell (Nashville, Gone, Just Like a Train, Good, Dog Happy Man, Disfarmer), Robert Plant and Alison Krauss (Raise the Roof), Lyle Lovett (Step Inside this House, My Baby Don't Tolerate, Natural Forces, It's Not Big, It's Large etc.), James Taylor (American Standard), Tom Jones, Shawn Colvin, Sheryl Crow, Carly Simon, Jerry Douglas, Kacey Musgraves, Buddy Miller, Chet Atkins, Larry Carlton, Shelby Lynne, James Newton Howard, The Chieftains, Peter Rowan, Harry Connick Jr., J.D. Souther, Joan Baez, Indigo Girls, Dolly Parton, Rodney Crowell, Graham Nash, Michael McDonald, John Fogerty, Elvis Costello, Kenny Rogers, Janis Ian, Jewel, Michael Feinstein—among many others.
As a solo artist, Krauss describes his music as “soundtracks without a movie,” blending jazz, Americana, and classic rock. His debut album, Far From Enough (Nonesuch, 2004), featuring Bill Frisell, Jerry Douglas, Steve Jordan, and Alison Krauss, reached #6 on the Billboard® Contemporary Jazz Chart. His follow-up, II (EMI, 2007), showcased collaborations with Dean Parks, Matt Chamberlain, and guest vocalists including Lyle Lovett, Shawn Colvin, Ben Taylor, and Shweta Jhaveri. His most recent release, Vignette, is a collaboration with acclaimed lever harpist Maeve Gilchrist.
In 2006, Krauss was awarded a prestigious fellowship at the Sundance Institute Film Composers Lab. His film scoring work includes collaborations/placements with iconic directors such as Ken Burns and the late Robert Altman. Additionally, selections from his solo recordings are featured as musical interludes ("bumpers") on National Public Radio.
A committed educator, Krauss has shared his expertise as a guest speaker, clinician, and artist-in-residence at higher education institutions such as Berklee College of Music, Jacobs School of Music at Indiana University and Belmont University.

RECORDING & PRODUCTION CREDITS





















































































Robert Plant & Alison Krauss "Raise the Roof" Tour 2023

"Viktor Krauss II" Tracking 2006
(w.Dean Parks, Matt Chamberlain, Lyle Lovett, Lee Townsend, Jason Lehning)

Bill Frisell "Gone, Just Like a Train" Sessions 1998

James Taylor Overdubs 2019



Sir Tom Jones Soundstage 2017
Shawn Colvin "All Fall Down"
Tracking 2011 (w. John Deaderick, Buddy Miller, Bill Frisell, Brian Blade)
"Maeve Glichrist/Viktor Krauss "Vignette" Sessions 2016
MUSIC
​
SPLIT WINDOW STUDIO
Completed in late 2020, Viktor’s “Split Window Studio” was designed as a small tracking and overdub space. Often described as “church-like” thanks to its 16-foot ceilings and vintage architectural elements inspired by a circa-1905 structure, the studio houses an extensive collection of vintage keyboards, guitars, and effects pedals. Originally built for Viktor’s own production and overdub work, the space is also available for select commercial projects.


Local 257 Nashville A. F. of M.
(615) 244-9514


Viktor Krauss proudly endorses: Orange Amplification, Ampeg, Thomasitk Infeld Vienna, Fishman Transducers, Warwick Basses

www.viktorkrauss.com 2026
_edited.jpg)




